Two individuals stand at opposite ends of the film-censorship spectrum in India: One a Bollywood filmmaker, Vishal Bhardwaj, who made Haider, and the other a young documentary filmmaker, Shubhradeep Chakravorty, who made En Dino Muzaffarnagar, a documentary on last year’s riots. Bhardwaj, who agreed to 41 cuts, was able to state in his film that the Indian army was responsible for the disappearance of Kashmiri men in 1995, blew up homes at will, tortured people in the most brutal way and let loose a counter-terrorism force that played havoc with Kashmiri society. He was also able to incorporate in his film another holy cow of a censorious society: incest.